Which korg synth

Facet Value Korg 58 Korg Facet Value Black 41 Black Facet Value Yes 7 Yes 7. Facet Value Digital 29 Digital Facet Value Yes 8 Yes 8. Facet Value Synth 19 Synth Facet Value 88 5 88 5. Show All Show Less. Facet Value Polyphonic 16 Polyphonic Facet Value Yes 3 Yes 3. Korg Minilogue Polyphonic Analogue Synthesizer. Korg Modwave Wavetable Synthesizer. Korg MS Mini Synthesizer. Korg opsix Altered FM Synthesizer. Korg i3 Workstation Keyboard in Black.

Korg Wavestate Wave Sequencing Synthesizer. Korg i3 Workstation Keyboard in Silver. Compare Add more to compare Added. Back to Products Filter Category by:. Clear All Done. Recommended Products. Customers Love Us! Customer Experience. Good price, punctual delivery and a great product. I would definitely buy Boss products again and I Read all. Mr Danny Cross in Essex. Very positive experience. No messing around I have been wanting to buy a spire studio since the 1st gen, finally took the plun Steven Dyche.

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Delivered within 24 hours! Would definitely buy from you again! Epiphone Case for Super Jumbo Acoustics. Mr Jack Wong in Bristol. Good to do business with. I also strongly suggest you stick to something with a keyboard. While you could potentially get a bit more synth for a bit less money by ditching it like with the Behringer Neutron , when you're just starting out, the immediacy of keys will be welcome.

Last, it needs to be easy to use and make music with -- not just noise. Now, obviously, this is subjective: One person's noise is another's symphony. As someone who owns and legitimately enjoys Lou Reed's Metal Machine Music , you don't have to tell me. But chances are that you want to make more than just bleeps, bloops and drones. So, as interesting as it is, the Volca Modular is out.

These sorts of instruments are much better suited as low-cost expansions of an existing setup. Now, I know there are a bunch of would-be analog purists out there screaming at their computer screen. And I have an alternative suggestion for you, so bear with me.

But first, let me tell you why you should consider the MicroFreak, even if you're skeptical. Arturia's instrument is a four-voice paraphonic digital synthesizer, so it can play four notes simultaneously. Unlike many other synths that are labeled as paraphonic, each voice has its own voltage controlled amplifier VCA.

That means that it actually behaves more like a true polyphonic synth, as each note will have its own attack and decay stage. So every time you press a key, the amp envelope is reset. This means that if you hold down one note and then press another one, the volume of the original will momentarily drop out and rise back up in sync with the second note. That's not necessarily a problem for sounds with short attacks like bass and keys. But if you're looking to lay down some pads, it can create some unnatural stops and starts.

What really makes the MicroFreak so compelling though is its incredible flexibility and variety of sounds. Inside are 13 oscillator types, all with a staggering array of options for shaping their sound. There are basic wave shapes, for clean digital sine or saw tones, and super wave in which several basic shapes are stacked for giving you those thick trance-style sounds that are all over songs from the likes of Charli XCX and Sophie.

There is also a two-operator FM synth engine and a virtual analog option, both borrowed from the well-regarded Plaits eurorack module. Plus a Karplus-Strong engine, which physically models the bowing or striking of strings. There's even a speech synth engine for when you want to get your robot choir on. There are so many choices -- from traditional to just plain bizarre -- that almost everyone can find a sound they like here.

Plaits is one of the most popular sound sources in the current modular-synth craze, and being able to get those tones from an entry-level synth with a keyboard is pretty amazing. Additionally, the MicroFreak has an incredibly rich modulation matrix. Think of this as pseudo-modular synthesis. Whereas something like the Minilogue XD has an LFO low frequency oscillator that can be used to manipulate the pitch, cutoff of the filter or the wave shape -- but only one at a time -- the MicroFreak's LFO can be used to control up to seven different parameters simultaneously.

And three of those modulation destinations are completely customizable, not to mention the LFO is just one of five modulation sources. You can connect all sorts of things inside the virtual wiring of the synth to create constantly evolving pads, crazy moving leads or bonkers sound effects. Korg Inc. Click Here to see all the items of this manufacturer.

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